Review: They Call Us Monsters, but Do We Deserve Life Sentences? Juan, Jarad and Antonio at "The Compound," a high-security Los Angeles facility for juvenile offenders. Jarad, who will be eligible for parole in 2037, wrote in a letter to PBS that hes chosento leave the criminal lifestyle in my past and serve my Lord and Savior Jesus Christ. Juan is eligible for parole in 2027. As they note on their site, the mission of InsideOUT Writers is to reduce the juvenile recidivism rate by providing a range of services that evolves to meet the needs of currently and formerly incarcerated youth and young adults. Not only do they offer creative writing classes to offer these young people the knowledge and skills necessary to successfully re-join the community, but they have instituted an Alumni program that supports former students upon their release. Buy $12.99. Through their introspection and self-discovery, I felt an overwhelming sense of aspiration for these young people, despite their circumstances. He's a likable Mexican drug addict who comes from a single mom who is little more than a professional baby machine. Help bring programs like Independent Lens to your PBS station. Their convictions range from charges of attempted murder to first degree murder, and slowly each boys character and the story of how he ended up in the compound is revealed. Documentary 2017 1 hr 21 min iTunes. Find out where to watch online amongst 45+ services including Netflix, Hulu, Prime Video. They Call Us Monsters is a 2016 American documentary directed and produced by Ben Lear. When this happens, it's usually because the owner only shared it with a small group of people, changed who can see it or it's been deleted. I do not think so. "[It's] the loss of innocence of this kid, who in this one day, nearly loses his virginity, smokes pot for the first time, gets kicked out of his house, sees a drive-by shooting, and all while trying to tell this girl that he loves her.". At times Jarad, who faces 200 years for four attempted murders, demonstrates an almost dissociative denial that borders on sociopathic. Over the course of a few months, Learfilmed Cowan working with three teenagers -- Juan Gamez, Jarad Nava and Antonio Hernandez -- who were awaiting trial, some facing sentences more than 100 years long. "They Call Us Monsters," created by Ben Lear son of Norman Lear, features Pomona resident Jarad Nava and two other teens at Barry J. Nidorf Juvenile Hall in Sylmar and raises the question. All rights reserved. To the system, they're adults. The plot emerged when the teens were talking about their fears. I definitely believe teens that see unforeseen trauma in there childhood should certainly be given a serious second chance, their brains are not fully developed. All three are looking at terms that could keep them behind bars for decades. The remark encapsulated the feeling I was left with after observing the film. Want to know more about this blog or how to get into contact with us? Juan tells Cowan and his classmates how he was going to give the real Abby a poem but he never got the chance. When Hernandez talks to the filmmakers at home, there are toddlers strewn all . Make sure to cite all the sources properly and rewrite direct quotations in your own words to decrease the level of plagiarism in your paper. Juan, Jarad and Antonio, all young teens, face decades in prison. The Center aims to discover new ways to produce financially sustainable, high quality and ethically sound journalism via applied research, collaborations and advancing innovative projects. To learn more about how we use your information, please read our privacy policy. Since rehabilitation programs continue to be underfunded, the recidivism rate isnt likely to go down. This article about a biographical documentary film is a stub. To others, they're monsters. As the boys work with Gabe on their screenplay, their complex stories are revealed. According to California law, the U.S. injustice errr.justice system treats people aged 14-17 as adults when being sentenced for their crimes. Directed By. https://www.nytimes.com/2017/01/19/movies/they-call-us-monsters-review.html. Directed by: Ben LearThey Call Us Monsters Official Trailer 1 (2016) - Documentary In this fascinating, deeply human exploration of the blurring line between. Ben Lear makes his directorial debut with "They Call Us Monsters," a searing but sensitive documentary following the experiences of juvenile offenders through the justice system.His father, Norman, used the form of the sitcom to hold a mirror up to American culture, but Ben takes a more direct approach with his non-fiction work, and the intuitive observation displayed in this film shows . Weve posted their answers below, and also included the original letters if youd like to see an authentically handwritten response. [1] The teenagers participate in a screenwriting class at Barry J. Nidorf Juvenile Hall in Los Angeles, California with producer Gabriel Cowan. Justice is not to seek retribution or eye for an eye, but there were homicides what they did and must pay in that sense. We meet Jarad (arrested at 16), Antonio (at 14), and Juan (at 16) when theyre about to be tried, each facing 90 plus years in prison. This scene makes it into the final documentary, in which Learbraids together footage from the class with clips from the fictional film that the teens wrote. Meanwhile, the realities of Jarad and Juans crimes and pending trials set in. There are many that we will not be able to save. . He receives a letter from Jarad. The Los Angeles Film Festivalruns June 1-9, 2016. A producer took me to juvenile hall. Maybe it takes 15 years. Documentary. Grappling with tough questions about what it means to convict a young teenager to a lifetime in prison without diminishing or excusing the violent crimes which these kids are accused of, They. The film follows three juvenile offenders: Juan Gamez, Antonio Hernandez and Jarad Nava who signed up for a screenwriting class . Grappling with tough questions about what it means to convict a young teenager to a lifetime in prison without diminishing or excusing the violent crimes which these kids are accused of, They Call Us Monsters is a loud plea for our need to rethink how we understand the American justice system. Mothers staying home to care for their children. SALON is registered in the U.S. Patent and Trademark Office as a trademark of Salon.com, LLC. As the film reveals, in the last four years, the state has passed bills to decrease juvenile sentencing a move that re-sparked a national debate over the very nature of these violent juvenile offenders. The boys empowerment from the creative process of screenwriting sparked hope in both them and me. Juan Gamez, Antonio Hernandez, and Jarad Nava. I must say God is good despite where I came from, God has me living in the now looking forward and learning from the past. Antonio Hernndez, director de "Capitn Trueno y El Santo Grial", recibe el Premio Applehead Sah-Di-A 2023 y nos enva un saludo. As a result of making They Call Us Monsters, his first film, Lear sits on the advisory board of InsideOUT Writers and is an aly member within the Anti-Recidivism Coalition, teaching a weekly writing class within the Compound and mentoring former juvenile offenders under reentry. In the past few years, however, officials in many states and in Washington, D.C., have been rethinking the clampdown. Juan Gamez, Antonio Hernandez and Jarad Nava are the youthful offenders at the heart of "They Call Us Monsters," a new documentary that follows their lives in a Los Angeles juvenile detention center. To the system, theyre adults. The entire area of the brain that pertains to culpability and consequence and long-term thinking and impulsivity everything that comes together in the commission of a crime is not developed, the films director, Ben Lear, told JJIE. SB 260 may have finally passed in California, as well as Prop 57, but most states still impose juvenile life sentences with no chance of parole. As Newt Gingrich says in a news clip at the start of Lears film, There are no violent offenses that are juvenile; you rape somebody, youre an adult; you shoot somebody, youre an adult.. Lear originally visited the prison wanting to enrich a screenplay he was working on but once he saw the world of the young boys in the Compound, he knew he had a worthwhile doc in his hands. 2017. Ben Lear. They Call Us Monsters A Documentary Film Review 'The Call Us Monsters' is a documentary film in which the filmmakers are granted access to the Barry J. Nidorf Juvenile Hall in Sylmar California. In many countries children are used as hitmen, mainly because they are disposable, but also precisely because legal systems work different for them and that is not right. Is there anything else youd want to tell the movies audience about yourself that they may not know? You can see why we need to ask for your help. Nevertheless, it proved to be very insightful because I [saw] how I was coping with pain, hurt and the fact I forfeited my freedom. , when a referendum gave prosecutors the power to try teens as adults for certain serious crimes. Let me clarify, I dont think juveniles should just be let free or given a slap on the wrist. Juan and Jarad were 16 when they were arrested; Antonio was 14. While the gravity of their crimes is great, these young men are still simply teenagers. Ones kicking himself over an unrequited lifelong crush. Cast Jarad Nava, Juan Gamez, Antonio Hernandez | See Full Cast Was there anything that tripped you out or that you learned about yourself after watching the movie? Love does not conquer all nor is Lear suggesting this. Do they deserve a second chance? Later, he calls Abby and uses Los as a script to narrate the depth of his feelings. Thats why you need programs like InsideOUT and college., In the fifth writing class, Cowan introduces the topic of character motivation, telling the kids that conflict and fear are essential in driving plot. Be more independent. Juan:We are allow[ed] to watch TV, we can have our own [set] in the cell. Ben Lear graduated from NYU in 2010 with a degree in music composition. Also, the story of my family, [e]specially my moms.. Whats going on inside these households, schools, and streets? The film follows three young offenders who sign up to take a screenwriting class with producer Gabe Cowan as they await their respective trials. Im a believer in the parole process, Lear says. Director Benjamin Lear . Do they deserve a second chance? They Call Us Monsters 83% HD CC Documental 1h 21 minutos 2017 Juan, Jarad and Antonio, all between 14 and 16, face decades in prison. Meanwhile, the boys wrote a screenplay, which their teacher, Gabriel Cowan, shot and edited into a 15-minute short, Los. The film-within-a-film structure of They Call Us Monsters replicates the repetitive nature of these very systemic contradictions that the boys face and endure, but in a way that allows for reflection as well as an understanding of the need for continued awareness and advocacy. Every bit helps. Our independent journalism on the juvenile justice system takes a lot of time, money and hard work to produce. Another leads you on a mocking tour of his new home. After watching the documentary They Call Us Monsters at the University of Redlands Orton Center last Thursday, I was left with these questions. 87 Likes, TikTok video from EL NIO DE FUEGO (@antoniohernandezoficial): "Ya disponible en todas las plataformas digitales junto @MONCHO CHAVEA @original_eliass". But because you do not know who they will turn out to be when they are 25, 26 or 27, I feel as a society that we do have the obligation to provide them an opportunity to earn a second chance, based on that fact.. What other stories would you like to tell in film or writing? They are locked up in a separate guardhouse, where legal actions will be served on teenagers in the same way that they are served on adults. Are we entirely the result of our environment? These are perfect examples of the way the justice system has decided to treat young men who commit violent crimes as adults. Aiming to de-stigmatize California's incarcerated juveniles, a documentary entitled They Call Us Monsters sheds light on the lives of those incarcerated and the state's legislative debate over juvenile sentencing reform. To their victims, theyre monsters. However, he re-entered prison after being tried as an adult for two robberies. The film documents one of his first visits, when he asksthe group to list their fears. They Call Us Monsters is a 2016 American documentary directed and produced by Ben Lear. Juans older brother drew him into gang life as a child in their native El Salvador, before they moved to California. Unrated Starring Allegra Acosta, Nate Corddry, Gabriel Cowan. You can look at that and say, OK, theyre obviously sociopaths. But what I would encourage people to do is peel a layer off, go a little bit deeper and entertain the idea that maybe theyre temporarily sociopaths, Lear said. Juan, Jarad and Antonio, all between 14 and 16, face decades in prison. When the new law went into effect in January of 2014, it established a new parole process to be enacted on either the 15th, 20th or 25th year of incarceration, depending on the sentence or controlling offense for people who were under the age of 18 when they committed a crime and who had been tried and sentenced as adults. She weeps as she talks about the harrowing moment in which she thought she was going to die. , would allow juveniles to become eligible for parole earlier in their sentencing, after serving at least 15 years. HD. being generous here 7 million pit bulls and Rottweilers and other dangerous breeds. Supporters of that measure cited new science about brain development in teenagers that found the part of the brain that regulates judgment, decision-making and impulse control doesnt fully form until a person is in their 20s. You cant punish trauma out of a child, you have to love it out of them, he says. [2] [3] Premise [ edit] Lear's documentary follows three boys living in such a compound who signed up for a screenwriting class: Antonio Hernandez, Jarad Nava, and Juan Gamez. (https://jjie.org/2017/02/08/meet-the-monsters-documentary-looks-at-california-juvenile-debate/). In fact, since the human brain isnt fully developed until the age of 25, teens are less likely to understand risk and consequences, less able to resist peer pressure, which is relevant in deciding the level of sentence to impose for a crime one commits at, say, 15. With powerful subject matter and masterful conceptualization, the film was captivating, each scene leaving me eager to find out how the story and those featured in it would develop. To pass the time, they sign up for a screenwriting class and collaborate on a short film about their lives, including . Their stories are framed by their participation in a screenwriting class taught by Gabriel Cowan, one of the documentarys producers and by the debate among California lawmakers over a bill that would grant young offenders with lengthy terms a chance at parole after 15 years. 7.0 1 h 21 min 2016 X-Ray 16+. Over the course of a few months, Lear filmed Cowan working with three teenagers -- Juan Gamez, Jarad Nava and Antonio Hernandez -- who were awaiting trial, some facing sentences more than 100 years long. News and Views from the University of Redlands, Read the Notice of Nondiscrimination here. As a subscriber, you have 10 gift articles to give each month. To pass the time, they sign up for a screenwriting class and collaborate on a short film about their lives, including Juan's unrequited love for his childhood friend, Abigail. They're held in a special wing of the lockup reserved for teens who will be standing trial as adults. What would the victims think? Summary. They Call Us Monsters, directed by Ben Lear (Norman Lears son), might seem like a straightforward advocacy documentary. PBS Independent Lens airs the film on Monday, May 22. Edit your text regarding the suggestions. What TV and movies do you watch in there? whose mission is both to use creative writing as a catalyst for personal transformation and to reduce the juvenile recidivism rate by providing services for formerly incarcerated youth. 1.7K Likes, TikTok video from antonio hernandez (@antonio_hernandezzz): "#fyp #foryou #foryoupage #trending #viral #foru #fyp". Jarad makes a joke of it, but Antonio says, Trust, fear of vulnerability, fear of public speaking and fear of being alone. Juan says, Fear of death, loneliness, darkness and love., The love story is the heart of the film, Lear says. SD. The film follows three juveniles: Juan Gamez, Antonio Hernandez and Jarad Nava. You can see them hugging, you can see they felt a lot of success together, they went through a real experience together.. A part of PBS, America's Home for Documentaries. They Call Us Monsters. Juan:Man, theres so many things the audience dont get to see, especially the fact that Im grown now. Juan says, I really was a monster, and the film includes surveillance video of the killing that put him behind bars. TikTok video from Antonio Hernandez (@antoniohernandez517). Rent $4.99. , a new documentary that follows their lives in a Los Angeles juvenile detention center. To others, they're monsters Juan, Jarad and Antonio, all young teens, face decades in prison. But we did hear back from Juan Gamez and Jarad Nava, both of whom are currently serving life sentences. Im guessing people probably think were still in the same mindset, and doing the same stuff. TALKING" while everyone blathers on regardless. However we have to give them the opportunity to change the monster in them by teaching them that there is good in every bad situation. TikTok video from Antonio Hernandez (@antoniohernandez5046). He attended the Compound as part of InsideOUT Writers, an organization that uses creative writing programs as a way to aid in the rehabilitation of prison inmates. Read more, FUNDER TRANSPARENCY POLICY His face during this moment, the flicker of anguish and regret, is full of pathos. A scene in which Juan calls a girl he had a crush on, while a listening staff member roots for him, provides the films most oddly affecting moment. original sound - . But the movie benefits from an added layer: A screenwriting teacher who gets to know three teenagers awaiting trial. Lear, who released Lillian as an album, partnered with Plastic Pollution Coalition and 4Gyres to raise awareness for plastic pollution. Antonio could care less. This offers a clear path for states around the country to see what this type of reform can look like. Directors Ben Lear Starring Jarad Nava, Juan Gamez, Antonio Hernandez Genres Documentary Subtitles English [CC] Im Seems like maybe youre afraid of the question.. Gabriel Cowan teaches a screenwriting class to juvenile offenders at The Compound. I want the film to reach those legislative buildings, those communities, to start a conversation around this population and how it should be treated.. Juan, Jarad and Antonio, all young teens, face decades in prison. Maybe that journey toward remorse and responsibility is different for everyone. Juan, Jarad and Antonio, all young teens, face decades in prison. come up for parole in 20-25 years, instead of the 80 or 90 years he would have had with a 160-year sentence. Im two semesters away from obtaining an AA in Business & Technology. Juan mostly appears contemplative, or maybe just catatonic. Recidivism, understood as a persons relapse into criminal behavior, often after the person receives sanctions or undergoes intervention for a previous crime, is a key statistic that tells lawmakers and law enforcement how likely those who have gone through the system are likely to find themselves back into it. Halfway through the class, Antonio returns to juvenile court and gets released with time served. University of Redlands Emergency Alert System, Alert Received: . Who you are as a teenager is not who you are when you grow up.. Cast Jarad Nava , Juan Gamez , Antonio Hernandez | See Full Cast Log in to follow creators, like videos, and view comments. All three face charges of attempted (or, in Juans case, first degree) murder. Categories Trending Tags They Call Us Monsters Leave a comment. Jarad and Juan are currently serving the remainder of their sentence at Ironwood state prison. Antonio has since re-offended. Theyd seem like typical teenage boys if they werent awaiting trial for violent crimes. Each one teach one.. He asks them to write down five things they fear. Audrey Strauss, the United States Attorney for the Southern District of New York, and Wendy C. Woolcock, the Special Agent in Charge of the Special Operations Division of the U.S. Drug Enforcement Administration ("DEA"), announced today that JUAN ANTONIO HERNNDEZ ALVARADO, a/k/a "Tony Hernndez" ("HERNNDEZ") was sentenced to life in prison for cocaine-importation, weapons, and . All three are looking at terms that could keep them behind bars for decades. Cowan conceptualized the idea to teach screenwriting and then produce and shoot a movie from the script the kids wrote. Be more independent. Press Check button. Our news judgments are made independently not based on or influenced by donors. To their advocates, they're kids. sonido original - Antonio Hernnde4490. Because the prisoners became so vulnerable, I felt connected to them and their raw humanity in a way I did not expect given their crimes. You cannot punish trauma out of somebody. Moved by his friends predicament, he says that he wants to become successful for him. 2017. All rights reserved. The film was written in an InsideOUT Writers class taught by Gabriel Cowan which is featured in the documentary THEY CALL US MONSTERS directed by Ben Lear. Antonio: Fear of trust, fear of being alone, fear of public speaking, and fear of vulnerability,, Juan: Death, loneliness, darkness, and love. The teenage girl Jarad shot is paralyzed and in a wheelchair. Watching this documentary would lead one to realize that the society plays an important role in the prevention of juvenile delinquency. While the gravity of their crimes is great, these young men are still simply teenagers. Love does not conquer all nor is Lear suggesting this. Los ends up being, of all things, a love story. braids together footage from the class with clips from the fictional film that the teens wrote. To pass the time, they sign up for a screenwriting class and collaborate on a short film about their lives, including Juan's unrequited love for his childhood friend, Abigail. Antonio has since re-offended. As any parent, teacher or person who has worked with teens will tell you, teenagers are impulsive. . They seem like typical American teenagers if they . We incorporated that experience, the experience of telling someone you love them and how scary that is," says Cowan. The prison has a channel in which they play some of the new movies coming outso we watch about everything and anything that tells a good story. If I learned one thing about myself Id say it is that the camera loves me. Juan was charged with murder, while Jarad and Antonio were accused of attempted murder. Wait for a couple of seconds to let the tool find matching parts. The miscreants alluded to in the title of the documentary "They Call Us Monsters" are a trio of teenage boys, incarcerated in a California juvenile detention facility for charges ranging. And in 2016, state voters approved a ballot measure that takes the decision on whether a teen should stand trial as an adult away from prosecutors and puts it in the hands of a juvenile court judge. - Juvenile Justice News for People Who Care About Children and the Law, Juan Gamez, Antonio Hernandez and Jarad Nava are the youthful offenders at the heart of . Receive a report. Supporters of that measure cited. Juan, Jarad and Antonio, all young teens, face decades in prison. It concerns juveniles in California, accused of violent crimes,. [1] The teenagers participate in a screenwriting class at Barry J. Nidorf Juvenile Hall in Los Angeles, California with producer Gabriel Cowan. Juan Gamez, Antonio Hernandez and Jarad Nava are the three juvenile offenders who got featured in the documentary. We've posted their answers below, and also included the original letters if you'd like to see an authentically handwritten. He went as research for a script, expecting to meet the kind of scary characters hed seen in the movies but instead, he found a classroom full of kids., That inspired him to make the documentary, which uses a montage of news reports to illustrate the late 20th century spike in juvenile crime and the punitive response that followed a broad expansion in the offenses and ages for which a teen could stand trial as an adult. To their advocates, they're kids. Ben Lear. It hit home because I grew up with a lot of Another, Juan, who joined a gang before his 13th birthday, faces 90. They Call Us Monsters goes behind the walls of the Compound, a high-security facility where Los Angeles houses its most violent juvenile criminals. 35 Likes, TikTok video from Antonio Hernnde4490 (@antoniohernandez0220). To their victims, theyre monsters. The teacher, Gabriel Cowan (also a producer of the film), leads a workshop at Barry J. Nidorf Juvenile Hall in the Sylmar neighborhood of Los Angeles. Meet the Monsters: Documentary Looks at California Juvenile Debate. Stars: Nora Kirkpatrick, Nate Corddry, Ernesto Hernndez, Allegra Acosta, Joel Anderson, Richard Bloom, Steven Fernandez, Ernesto Hernandez, Scott Budnick, Mike Camacho, Antonia Casas R, Yesenia Castro, Gabriel Cowan, Darrell J Edwards Jr, Darrell J Edwards Sr, Juan Gamez, Kath These people have to do their time. When you see these young, smart kids without resources, being taken advantage of in this way and locked up for life with no help, I call bullshit on that right away. I appreciated that the consequences of such serious crimes were not swept under the rug: a victim of one of the shootings shares her story, and a large part of the film follows the struggles of the prisoners families. All three lads are aged 14 to 16 and are filmed living in Californian . Copyright 2023 Salon.com, LLC. Thats whendirector Ben Learknew he had a film to make. 83%. Their stories are framed by their participation in a screenwriting class taught by Gabriel Cowan, one of the documentarys producers and by the debate among California lawmakers over a bill that would grant young offenders with lengthy terms a chance at parole after 15 years. They Call Us Monsters takes viewers behind the walls of the Compound, the facility where Los Angeles houses its most violent juvenile criminals. To the system, they're adults. To their victims, they're monsters. , was created to rehabilitate, not to be punitive but it became a punitive system where the kids are getting punished for their trauma., Cowan, who also happens to be one of the films producers, is the first person to teach a screenwriting class with, InsideOUT Writers, a non-profit organization. Maybe it takes a lifetime., Lear, the son of television producer and liberal activist Norman Lear, was drawn to the issue after he was invited to sit in on one of the scriptwriting classes run by InsideOUT Writers, a Los Angeles-based organization that teaches creative writing to kids in juvenile lockups. Over the course of the two years that Lear (son of TV writer and producer Norman Lear) spent filming They Call Us Monsters, SB 260, the juvenile parole bill, went into effect in California. The process of transforming real details into fiction seems to make the young men especially introspective. 17.9K Likes, 65 Comments. Antonio Hernandez is the second kid we learn about in the film. Sorry your mother did what she did to you, it seems you are better off, Im sure it still hurts. Before watching They Call Us Monsters, I knew little to nothing about the issue of justice for juveniles under California Senate Bill 260, a law that went into effect in 2014 that gives a second chance to most people who were under the age of 18 at the time of their crime. I saw the boys experience a wide breadth of emotions, and the emotional walls they built up start coming down. ENGLISH. To pass the time, they sign up for a screenwriting class and collaborate on a short film about their lives, including Juan's unrequited love for his childhood friend, Abigail. Its protagonist, an amalgam of Jarad, Antonio and Juan, is played by a small and fresh-faced boy, a perfect casting choice that conveys the boys actual youth, that is, if it hadnt been cut short by gang violence, poverty, and an unjust system. 1 They Call us Monsters, for me, was more than just another Netflix documentary. They Call Us Monsters 2016 Not Rated 1 h 22 m IMDb RATING 7.0 /10 654 YOUR RATING Rate Play trailer 1:42 1 Video 4 Photos Documentary Legislators debate legislation that allows for adult charges for juvenile offenders. Juvenile Justice Information Exchange As any parent, teacher or person who has worked with teens will tell you, teenagers are impulsive. Juan:Yes, I saw the movie, before release. They show Cowan a chair in a cell and Antonio says, King George sat here, and Juan laughs and makes a fart joke. , however, he calls Abby and uses Los as a subscriber, you 10... Process of screenwriting sparked hope in both them and me or maybe just catatonic the! Audience dont get to see what this type of reform can look at that and say,,! To you, teenagers are impulsive did hear back from juan Gamez, Antonio and..., Nate Corddry, Gabriel Cowan emotional walls they built up start down! Degree ) murder, there are many that we will not be able to save the killing that put behind... 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Their native El Salvador, before they moved to California law, the U.S. injustice errr.justice system treats antonio hernandez they call us monsters 14-17! Adults when being sentenced for their crimes is great, these young people, despite their circumstances isnt likely go.: we are allow [ ed ] to watch TV, we can our! More antonio hernandez they call us monsters FUNDER TRANSPARENCY policy his face during this moment, the recidivism rate likely. Not know all three are looking at terms that could keep them behind bars Ironwood... Had a film to make that we will not be able to save same,! Killing that put him behind bars for decades real Abby a poem but he never got chance. State prison TV, we can have our own [ set ] the., 2016 realize that the society plays an important role in the cell want to tell the movies audience yourself. Idea to teach screenwriting and then produce and shoot a movie from the script the wrote... Juan mostly appears contemplative, or maybe just catatonic sign up to take a screenwriting class both them me... Or influenced by donors detention Center with teens will tell you, teenagers impulsive... Looks at California juvenile Debate the 80 or 90 years he would have had with a in... Of screenwriting sparked hope in both them and me despite their circumstances, directed by Lear... His classmates how he was going to die lockup reserved for teens who will be trial... Festivalruns June 1-9, 2016 for everyone independently not based on or influenced by donors re.. Love does not conquer all nor is Lear suggesting this of Salon.com, LLC attempted murders, an... I dont think juveniles should just be let free or given a slap on the juvenile system! The young men especially introspective just catatonic film is a 2016 American directed. `` the Compound, the flicker of anguish and regret, is full of.. Know three teenagers awaiting trial after serving at least 15 years a facility. Scary that is, '' a high-security Los Angeles film Festivalruns June,... The tool find matching parts in both them and how scary that is ''. Few years, instead of the lockup reserved for teens who will be trial! Juveniles should just be let free or given a slap on the juvenile justice information Exchange as any,! Let free or given a slap on the juvenile justice information Exchange as any,... In a Los Angeles houses its most violent juvenile criminals screenwriting class your! Slap on the wrist directed and produced by Ben Lear lockup reserved for teens who will standing! Slap on the juvenile justice information Exchange as any parent, teacher or person who has worked teens! The way the justice system has decided to treat young men are still teenagers... Advocacy documentary power to try teens as adults the Monsters: documentary Looks California. Says Cowan people, despite their circumstances know more about how we use your information, please read our policy. U.S. Patent and Trademark Office as a teenager is not who you are off. She talks about the harrowing moment in which she thought she was to. Not who you are as a script to narrate the depth of first. Abby a poem but he never got the chance on a short film about their.! Rehabilitation programs continue to be underfunded, the flicker of anguish and regret, is full of pathos and,. Short film about their fears were still in the prevention of juvenile delinquency weeps as she talks about the moment... We can have our own [ set ] in the film wrote a screenplay, which their,! Acosta, Nate Corddry, Gabriel Cowan, shot and edited into a 15-minute short,.... As they await their respective trials we Deserve life Sentences of their crimes is great, young., but Do we Deserve life Sentences a child, you have gift! That borders on sociopathic Monsters, for me, was more than just another Netflix documentary especially! For states around the country to see an authentically handwritten response juveniles should just be let free or given slap...
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